Sleigh Bells

In episode 119, I catch up with Alexis Krauss and Derek Miller, the noise pop duo better known as ⁠Sleigh Bells⁠. I have been a massive Sleigh Bells fan since their first few singles back in 2009 — brash, genre-defying bangers like “Crown on the Ground” and “Infinity Guitars” that sounded unlike anything else, combining elements of pop, metal, hardcore, hip-hop and punk. They’ve continued to blow my mind with the leaps they’ve made since then. 

The three of us are also old friends at this point, and though we’ve done shorter interviews in the past, it was great to finally get to ask them some of the classic LSQ podcast questions about all the shit they were into as kids. In this episode, Alexis talks about what she learned from her experience in a teen pop band, revelations she had at the punk and hardcore shows she frequented during her New Jersey youth, and learning to integrate the diverse parts of her musical voice.

Derek describes falling in love with the soundtrack to La Bamba as a kid growing up in Florida, and then discovering 80s pop greats like Janet Jackson and Cyndi Lauper before venturing into alternative and hard rock (Nirvana, Silverchair) and then having his mind blown by ground-breaking artists such as Radiohead and Björk, and then eventually joining metal core band Poison The Well in his later teens. They also share the story of how they came together to form Sleigh Bells, and how their current approach builds on the foundational principles they established for the band more than fifteen years ago.

Sleigh Bells’ new sixth studio album, Bunky Becky Birthday Boy, comes out this week and it’s stellar. Find out more (and get tickets for their upcoming tour) at:⁠ tornclean.com⁠

Robyn Hitchcock (Interview) – LSQ

“I guess I swapped my parents and my family for Bob Dylan,” says Robyn Hitchcock, remembering an evolutionary moment in his creative journey. “I just heard “Like a Rolling Stone” every day for two months  as I was going into my teens, it was my kind of bar mitzvah really. My molecular structure was changed over the course of 18 months and by the end of 1967 when I had gone through the change, and I was like a sort of skinny, dark haired version of what I am now I was writing the lyrics and I’d got a guitar. My parents, for their sins, gave me a cheap acoustic guitar. I just took it everywhere with me like a few years earlier I  would have taken my little panda teddy bear. I would always go everywhere with a plastic dinosaur in my pocket — I was a very OCD kid who wanted their comfort. And I just replaced that with the guitar and my Bob Dylan records and my portable record player. By the time I was 15 I haven’t consciously decided it, but there was nothing else I wanted to do.” In episode 146, hear the legendary singer-songwriter share more about his love for Dylan, his adolescent musical awakening, connecting with an attraction to art that is absurd or surreal, how he began writing songs and the discoveries that led to his work with The Soft Boys, insights into how his approach to music has changed and how he lets the songs find him, like birds finding seed. We also talk about his new album, The Confuser, his latest memoir, Stranded in The Future, and more! Robyn is on tour in Europe this month. Get tickets here. 
  1. Robyn Hitchcock (Interview)
  2. Bedouine – Interview with Azniv Korkejian
  3. Alex Cameron (Interview)
  4. Finn Wolfhard (Interview)
  5. Radiohead – Interview with Ed O'Brien

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